RANDY PRO

Overview

RANDY PRO runs the same generative engine and the same 13 voices as the free edition — a seed sounds identical — then hands you the keys. The one-button orb still rolls complete four-instrument patches from a 32-bit seed, but now a full four-lane editor exposes every generated instrument so you can sculpt rather than just accept. Lock the lanes you love and re-roll the rest, freeze the seed and randomize around it, step back and forth through your roll history, and shape each voice with Filter, Tone, Decay, Volume and per-lane LFO macros. A Pro-only FX rack adds drive, a sympathetic resonator, tempo-synced delay and reverb sizing, while five stereo buses route each instrument out on its own and an unbounded preset library plus favorites make every discovery recallable.

46 parameters. Four lanes. Total control of total chance.

New to Randy? RANDY FREE gives you the one-button engine for nothing.

Features

• Four-Lane Editor — See and shape each of the four generated instruments individually instead of treating the patch as a sealed black box.
• Per-Lane Macros — Filter, Tone, Decay and Volume offsets per instrument nudge the seed-derived sound without ever breaking reproducibility.
• Per-Lane Modulation — LFO depth, mod target (amp / pitch / filter / all) and a global mod floor dial in tremolo, vibrato and filter movement per voice.
• Locks, Seed Lock & History — Lock individual lanes and re-roll the rest, freeze the seed to randomize around it, and step back and forward through every generation.
• FX Rack — A revealed effects menu adds waveshaper Drive, a harmonic-to-clangy Resonator, a tempo-synced ping-pong Delay and Reverb sizing, post-mix in series.
• Preset Library & Favorites — Save, name, rename and delete unbounded presets; star your best seeds for one-click recall.
• Five-Bus Multi-Out — Route each of the four instruments to its own stereo bus plus a main, for full mix control downstream — all with MIDI output to capture the part.

What People Say

“Free hooks you on the surprise; Pro is where I actually finish tracks. Lock the bass lane, roll the rest, send each voice to its own bus — done.”

— Devin Carthage, sound designer & mix engineer